Showing posts with label Finished Art. Show all posts
Showing posts with label Finished Art. Show all posts

The Manufacturing of the Book!

Colorful pages from our book being prepared at the printer

Blaine over at KB Offset Printers sent us some very exciting videos and photos of our book Buttons & Beads in the manufacturing process. The books are currently at a bindery in Tennessee, after which they will be delivered to us in Pennsylvania.

At that point they will be available for the public to purchase, too! Information about that will be posted on this site as well as on our Facebook page when the time comes.
Watch the videos below:

Nearing the End of the Journey


Great news! Principal illustration for the entire book is finally done!

Pre-order the book by contacting the author or illustrator (in the side column) and let us know how many you need reserved. Cost will be about $20 (USD) plus tax and shipping. Sales benefit children's scholarships at Appel Farm Arts Camp.

It's been a long journey, not just for George and Wynonah but also for myself and Gretchen, the author. I've been working on the art since January. In that time lots of changes have happened to our plans-- hopefully producing the best possible art for our project.

I've changed too. I feel much more at ease tackling difficult artwork. My imagination has been stretched. I've also gained twenty pounds, grown a beard, and sprained a foot.

Once we're in print we'll get back to you with shipping and billing information and get you your books!

Have a great day!
--Zoungy, illustrator for Buttons & Beads: Lenape Princess Wynonah and the the Future President


The Last Ones to Leave


In our last post we saw a happy village scene centered around Wynonah's home life in Shamokin, Pennsylvania (present day Sunbury).

Today's image shows its counterpoint. Wynonah, her mother, and Shshash are leaving their home in Shamokin (along with the rest of the family) and re-locating to the Kuskuskies in western Pennsylvania.

It is a rainy day. Wynonah's dog is somewhat confused as to where they are going. Every belonging that the family can carry is packed up on their backs. Shshash uses arm straps. Wynonah uses a tumpline.


Full width art will span two pages

This small band, to my mind, has a somewhat sentimental attachment to the little wigwam and village. As such they are the last ones to leave. This has been possibly my favorite picture to draw so far.


Lenape Village Scene: Shamokin


This has been one of my favorite drawings to do so far-- an American Indian village in the summer of 1749.

Specifically it is Shamokin, Pennsylvania, along the Susquehanna River (now Sunbury, and not to be confused with present-day Shamokin). Shamokin was a village of American Indians from various displaced tribes, including Lenape.

This image represents a high point in Wynonah's young life. She is newly married, and her husband Shshash has built them a wigwam near the longhouse where Wynonah's parents live. Wynonah's first child-- a daughter-- is swaddled on a cradle board and held by Wynonah's mother. A second child is on the way.

We see that Wynonah's mother has come over to help with the cooking and babysitting, and has paused in her task to get Wynonah from the garden to welcome Shshash, just returning from a successful fishing trip. Some fish are already drying on racks.

The full width artwork. Text will appear along the top

Wynonah's dog does not appear in the text but I have invented her for several of the pictures-- she greets Shshash with a happy wag. In my research I learned that the Lenape dogs, now extinct, could howl like wolves; also sometimes they are found buried alongside their masters. I came across a Lenape story, too, called something like "How the Dog Was Allowed to Come into the House."

Based on these facts I surmised that Wynonah might have a dog and that the relationship between human and canine would be a warm one.

BONUS: Preview this art together with the story text right here.

Anatomy of a Drawing: Fort Duquesne


Today's post is a little longer than usual-- this drawing took a week to do, and I thought I'd offer a more in-depth look at the process involved.

I've broken it into parts for easier reading: Part One (Inspiration), Part Two (Research), Part Three (Acting Out), Part Four (Putting It All Together).

Lots of good stuff here if you want a real "behind the scenes look." Forts, landscapes, costumes, acting! Read on!

"Miles Fell Behind"


Detail of illustration (nearly done) for pages 28-29
Details of their journey blurred in George’s memory.
Changes of exhausted horses . . . Maehhumund emerging from dense forests with supply-laden natives . . . warming fires, prepared food . . . travel through water and wind gaps. George, at times in stuporous slumber, progressed northeast day and night. By his side rode the erect Lenape squaw, black hair rolled at her nape, a sacred bundle of bones across her saddleless horse. [Excerpt from "Buttons & Beads" -- text by Gretchen E. Hardy]

The full panoramic image will span two pages. Finished art is 28 inches wide

This early thumbnail sketch is only about two inches wide


Fort Lebanon by Night


This drawing shows George Washington and Wynonah approaching Fort Lebanon in Schuylkill County, Pennsylvania, one cold night in December 1758. The fort is found empty.

The drawing will act as one half of the back endsheet of the book. The page on which it appears will actually be glued to the inside of the back cover.

This drawing took a few days to do, mostly because of pencil layering required to create a darker scene.

Completed Schuylkill County Map


With the practice of the Pennsylvania regional map under my belt I completed the Schuylkill County map in just one day (it's also much less complex).

This map details the area where George and Wynonah brought Uncle Sassoonan's bones to rest, somewhere north of the endless hill Kittatinny Blue Mountain.

The image, along with a bird's eye view of Fort Lebanon, will comprise the back endsheet of the book.

First Finished Art: Front Endsheet


Today is a momentous day! Why? Because the first piece of final artwork has been finished for Buttons & Beads!

Days of preparation, hours of research, many, many sketches, and a single, 24-hour marathon session of drawing have yielded the art seen here.